17. Nicht Wandle, Mein Licht


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Concert Anne Sofie von Otter performs Brahms's Lieder - www.crossbaymedia.com

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Skip to main content. Composer or Director:. Johannes Brahms. Magazine Review Date:.

Media Format:. Catalogue Number:. Composition Artist Credits 18 Liebeslieder.

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Johannes Brahms Composer. Brahms Choral Works 18 Liebeslieder. Follow us.


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  • Editor's Choice. The all-time greats Read about the artists who changed the world of classical music. Tweets by GramophoneMag. Digital Edition. These works are on a larger scale and much more unified in their tragic tone.

    Johannes Brahms - "Liebeslieder-Walzer" Op. 52 (Warsaw Philharmonic Choir, Duo Soós-Haag)

    In January Brahms premiered the Rhapsodies from manuscript at a concert dedicated to his own works that included the Second Symphony, the Triumphlied, and the Alt-Rhapsodie. It was wholly alien to his nature to use programmatic titles, hence he selected the most non-committal names he could find. The titles intermezzo, caprice and rhapsody have hardly any fixed definitions or formal models, hence Brahms could make of them what he willed. Certainly, the title intermezzo had strong associations with Schumann, who included many short intermezzi in his early piano works, and had also composed six larger-scale intermezzi in his Op.

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    Brahms himself used the title in his Op. In both cases, Brahms retains some aspect of the older usage slower tempi for the intermezzi, greater technical difficulty for the caprices. However, Brahms gives new significance to these titles, recasting the intermezzo and caprice as opposing partners in which the former is lyrical, the latter more agitato, but both share an intensely expressive and emotional world. Brahms similarly recast the rhapsody genre; this was typically a loosely-structured singlemovement work with some folk-character, e.

    Jürgen Uhde

    Brahms retained only the idea of a larger-scale single-movement form with no defined structure something he had done previously with the Alto-Rhapsody op. Unlike Op. Also, the emphasis has shifted; while Op. So while Brahms never wrote a variation set for piano after , all of these late works contain variations, reworkings and reassemblings of their thematic material, generating a musical prose which is characteristically Brahmsian. In beautiful transformation, loss becomes gain.

    Martial Singher

    Un poco agitato 2. Allegretto non troppo 3. Grazioso 4. Allegretto grazioso 5.


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    • Agitato ma non troppo presto 6. Andante con moto 7. Moderato simplice 8.

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      Grazioso ed un poco vivace Two Rhapsodies op. Rhapsody No. Presto energico Andante

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